Hello. Clave Jones from Nerds on Earth here, and I’d like to talk to you about a fantastic comic that you may not be reading.
/slowly walks along pool as camera follows
The World now lies divided not amongst political or geographical boundaries, but amongst financial ones. Wealth is power, and that power rests with only a handful of Families. The few who provide a service for their ruling Family are cared for. All others are Waste.
I didn’t write the above text; it comes straight from the inside cover of the first issue of Lazarus, which is written by Greg Rucka and drawn by Michael Lark. (OK, I did write that opening bit about a poolside infomercial…and regret it. I needed a lede for this post and it appears that cheesy is sadly the best I’ve got.)
Hidden Gems in Comics: Greg Rucka’s Lazarus
Greg Rucka just tosses readers of Lazarus #1 into the deep end and lets the fascinating world he’s built flow around them. It’s a dystopian near-future, where government is non-existent and all resources are managed by a small number of mafia-like Families. Serving a Family as a Serf is the only protection you can get. The rest are Waste, entirely on their own and exploited by the Family as they struggle for survival in their domains.
Families rule all with absoluteness, jealously guarding and protecting what they have. Lazarus’ main character is Forever Carlyle, the Family’s genetically-modified ‘Lazarus’ who defends her family’s holdings through force as their protector. Family above all.
Commentary on class structure has been a significant part of art almost since the age of painting on cave walls with charcoal. Indeed, the dystopian society genre has seen a bump in literature even this past decade, with titles like Divergent and The Hunger Games leading the way.
In this way, Lazarus might sound like an old story, but the strength of the comic isn’t meant to be in it’s originality. The strength of the comic is that Rucka is taking the very relevant social commentary of the haves-versus-have-nots and telling it through a fresh and cool blend. Lazarus simultaneously taps into aspects of medieval seldom systems, strong female characterization, medical science, future tech, mafia life, family dynamics, western elements, and what could be realistic depictions of Navy Seals in action. Good golly, if that doesn’t trip your trigger, then we may need to revoke your nerd card.
Rucka’s blending of the above elements into a cool story might become a little more clear if I’d give you a bit of a feel for the comic’s first two runs. (Plus this 4-page short story preview.)
Under-rated Comics: Lazarus
The comic’s first run was named Family. The purpose of that short 4-issue run was to introduce characters and the world they live in. It was filled with striking violence, hints of incest, subterfuge and intrigue. You might think you have family issues, but it’s nothing compared to the daddy issues Forever has.
The first run also introduced readers to the world of Lazarus and all the trappings that surround it. Darned if Rucka doesn’t know how to world build! The setting of Lazarus is fascinating and it only gets more interesting as the comic runs on, but more on that later.
Much of this first volume is setting up future conflict, hooking the reading and making them want more. That said, there’s absolutely no lack of action here. Most compelling, of course, is the story of Forever and complicated web of relationships Rucka builds.
Sure, Forever is formidable and capable, and she was designed to be. But she’s also stretching past her supposed limitations. She’s learning about family and what that means. She’s learning about sacrifice and being driven by love. She’s growing as a character.
The second run, Lift, actually waves together three different stories. First, you have flashback sequences to a young Forever who is training to become the efficient weapon that she is. Beyond a look at young Forever, this story serves to both introduce Marisol, while highlighting the benefits of serving the Family as a Serf, and also to further paint the picture of Malcolm’s (Forever’s father) cold, calculated ruthlessness.
The second story of Lift is the story of Forever doing what she is trained to do: protect her Family by foiling a terrorist plot. (One could argue that the story of the terrorists is actually a 4th story that is woven through, but their story is light as contrasted against Forever and the action provided by her team of elite strike-force soldiers.)
The final story that is woven through the 5-issue Lift arc is that of the Garrett family. The Garretts are “Waste” and Rucka does a beautiful job of showing how these other 99.99% live and the desperation they feel. Theirs is a compelling story and Rucka has set up more than enough characters and story lines for a fantastic 3rd volume in the series.
I can’t hit ‘publish’ on this post without effusively praising artist Michael Lark. It’s odd to describe the violence of Lazarus as beautiful, but that’s what you get with Lark. The art beautifully illustrates the story. All the characters are clear and easily recognizable and the landscapes are detailed and wonderfully immersive. The muted colors and shadows suit the comic perfectly.
The writer and the artist truly seem to bring out the best in each other in Lazarus.
Finally, if there was ever a comic where it benefits to get the floppies over the collected trade, this is it. I’m a fan of letter columns and you get that with Lazarus, plus Rucka is gracious in given readers additional looks into his creative process and source research.
But that’s not all! Each issue of the floppies give several pages of world-building biographical information. There are detailed histories and timelines printed for the fictional Families that comprise the world of Lazarus. It’s a cool touch, for certain.
Hidden Gems in Comics: Greg Rucka’s Lazarus
The most popular comics are rarely the best ones. As usual, the most popular music wasn’t the best music made. Same for the highest grossing movies (seriously, China, stop watching Transformers; you’re ruining it for the rest of us).
“Best” is rarely the same as “popular.” This means that if you want to find the best comics out there, you’re going to have to avoid the distraction of letting the market decide your purchases. I know that capes and tights are popular and sell the most comics, but I’m here to tell you that Lazarus is absolutely one of the best comics out there.